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Part I
Vocal Ranges
Part-writing courses makes a few assumptions about the music we are
writing:
- The music is for mixed vocal ensemble,
namely: soprano, alto, tenor, and bass
- Vocal ranges used consider that of the average singer
- The student of part writing is learning basic musical structures from the European
Common Practice Period Tradition c.1600-1900
- Most of the rules for part writing are derived from J.S. Bach's 371
chorale settings and traditional
Functional Harmony
Generally, we use a condensed vocal score for writing, as shown above, where:
- The soprano voice is notated in the treble clef, stems up
- The alto voice is notated in the treble clef, stems down
- The tenor voice is notated in the bass clef, stems up
- The bass voice is notated in the bass clef, stems down
The basic ranges for each voice are:
- Soprano: treble clef, stems up, C4-G5
- Alto: treble clef, stems down, G3-D5
- Tenor: bass clef, stems up, C3-G4
- Bass: bass clef, stems down, G2-D4
On occassion, the range of each voice can be extended by a step in either
direction.
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