A Summary of Part Writing Guidelines for S.A.T.B.
following the Royal Conservatory of Music Syllabus
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Part IIvi Chord
The vi chord is used in two ways. As shown here, it can be used as part of a regular chord progression that starts on I and moves towards V before finally returning to I. We can expand our summary of root movements from Part I to include vi: I-vi-IV-ii-V-INote that the root movement above can include inversions and any seventh chords. V also includes vii6 and the cadential six-four chord. From this summary of root movements, we can see that vi can move to IV, ii, or directly to V. If a root position vi chord moves directly to V in root position, care must be taken to avoid parallel fifths and octaves. For a root position vi chord. double the root. If used in first inversion, double the third. In C Major: vi = A C E A vi6 = A C E C We show here only a few basic models from the many possibilities that can include inversions, seventh chords, the cadential six-four chord and so on.
E - F (s) E - F (s) E - G (sk)
C - C (ct) C - D (s) C - D (s)
A - A (ct) A - A (ct) A - B (s)
----- ------ ------ ------
Bass: A - F A - D A - G bass moves by step!
C+: vi - IV vi - ii vi - V
E - D (s)
C - B (s)
A - F (sk)
----- -----
Bass: C - D
C+ : vi6- vii6
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